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Lid stands & tools

Bamboo tea pick set — three

*zhú chá zhēn sān jiàn tào*

竹茶针三件套

Three bamboo tea picks, each a different length, for breaking apart compressed cakes without a trace of metal. Light in hand, quiet on the tray.

$19USD · 20 g

Weight
20 g
Harvest
Spring 2025
Processing
Hand-carved from mature bamboo, air-dried, then finished with a light sanding and a coat of food-grade oil.
Sourced by

From a small workshop at the edge of Menghai, where Michael Zhan found these bamboo picks

During a sourcing trip through Xishuangbanna in spring 2024, I stopped at a family-run bamboo workshop on the outskirts of Menghai. The family has been making tea tools for three generations, using the same groves of wild bamboo their grandfather planted. They don’t advertise — I only heard about them through a pu-erh farmer who swore by their picks. When I arrived, the workshop was full of long strips of bamboo drying on racks, and the air smelled faintly sweet, like fresh hay. The grandfather still shapes the tips by hand with a small knife, judging the taper by feel. I spent an afternoon testing different thicknesses and balances with cakes we had in the van — dense sheng from Bulang, softer shou from Yiwu. The three sizes emerged from that session: a short one for gentle prying, a medium for everyday cakes, and a long one that reaches deep into a tightly compressed 357 g disc. Each set is made in small batches, with the natural variations of bamboo grain making every piece slightly different. Michael Zhan selected this lot after visiting twice to be sure the drying and finishing met our standards. No metal, no lacquer — just bamboo, patience, and a little Menghai breeze.

The leaf, brewed

Quiet, precise, leaves whole — a tool for the tray, not the palate.

dry leaf

Three slender sticks of pale bamboo, each with a distinct length — short (9 cm), medium (12 cm), long (15 cm). Their surfaces show the faint natural nodes and a satiny finish.

wet leaf

After the first use, the tip absorbs a little tea moisture, darkening slightly to a warm honey tone. The grain becomes more pronounced, almost tactile.

liquor

As tea beads on the pick and drips back onto the tray, it forms a clean, transparent trail — amber from a shou, pale gold from a sheng.

aroma

A gentle, clean scent of dry bamboo, with a whisper of the tea oils it has met — earthy from a pu-erh, floral from a dancong.

taste

The pick adds none of its own; it only lets the cake yield. No metallic undertone, no crushed leaves — just the intact pieces you want.

finish

After the session, the pick rests beside the gaiwan, a quiet witness. The bamboo surface is slightly warmer, still smooth, ready for the next cake.

Brewing

A method, not a recipe.

Method
Usage
Ratio
Select the short pick for loosely compressed cakes (e.g., some shou), the medium for standard, and the long for densely pressed or larger cakes. Angle the tip along the leaf layers and apply steady, gentle pressure — no twisting.

Wipe dry after each use; occasionally nourish with a drop of neutral oil to keep the bamboo supple. Avoid soaking or leaving in direct sun.

Sourced by

Michael Zhan

Procurement & Sourcing Specialist (China)

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